What first appeared as a monolithic assertion in uncooked steel now emerges in a curated palette of black brown, white, beige, and vermillion – reworking Sabine Marcelis’ authentic Stedelijk Chair design into a brand new dialog about colour and kind. This evolution speaks to what the Rotterdam-based designer as soon as described as her curiosity in kind and materiality, the place the fabric itself turns into each canvas and construction.
When the chair debuted on the Stedelijk Museum Amsterdam in late 2024, it represented a departure for Marcelis – identified primarily for her gradient-rich explorations in resin and glass. The unique aluminum model celebrated materials honesty by means of its singular silhouette. With the addition of colour, BD Barcelona reconsiders how floor remedy can honor moderately than obscure structural integrity.
The chair’s genesis throughout the museum context supplies essential perception into its design language. Commissioned for the Stedelijk’s entrance corridor, sculpture gallery, and bar space – areas reimagined by architect Paul Cournet – the chair wanted to carry out as each useful seating and a design object worthy of the museum’s curatorial legacy. This twin function displays the continued dialogue between artwork and utility that has outlined museum furnishings.
The powder-coated end represents greater than aesthetic alternative – it enhances the chair’s sturdiness whereas sustaining its important lightness. At roughly 9 kilos, the chair retains its stackable performance throughout all colour variations, preserving its sensible utility. The chair that after harmonized with the Stedelijk Museum’s clear modernist structure now affords a broader vocabulary for integration into varied interiors and out of doors settings.
For extra info on the Stedelijk Chair by Sabine Marcelis for BD Barcelona, go to bdbarcelona.com.
Pictures courtesy of BD Barcelona.
