With Zona Maco celebrating twenty years as a cornerstone of the Latin American artwork scene, this yr’s version highlights daring solo installs to thought-provoking group displays. Rodrigo Ramírez distorts identification by way of visceral, layered work, whereas Lewinale Havette reclaims femininity and migration with placing compositions. Pachi Muruchu and Livien Yin weave narratives of heritage and time, Ana Segovia reinvents cinematic nostalgia, whereas Chavis Mármol delves into the complexities of affection and identification.
Including to the thrill, guests can vote for his or her favourite piece from a shortlist of 20, with the successful artist and gallery splitting a $100,000 USD prize from the Erarta Basis in honor of the truthful’s twentieth anniversary.
Take a look at our roundup of standout displays at Zona Maco 2025, working by way of February 9.
Rodrigo Ramírez at Swivel Gallery
Swivel Gallery brings an immersive solo presentation of Rodrigo Ramírez, the place 9 interconnected work evoke the 9 layers of the infraworld, as conceptualized in Pre-Hispanic Mesoamerican tradition. Ramírez’s works delve into the human physique’s battle to comprise its psychological and emotional turbulence. Figures seem deformed, fragmented, and in perpetual limbo—alienated from themselves, locked in an unresolved stress between thoughts and physique. A visceral, hypnotic showcase that pulls viewers into its depth.
Lewinale Havette at Palo Gallery
Art work by Lewinale Havette, Courtesy Of Palo Gallery
Marking its Zona Maco debut, New York’s Palo Gallery presents a solo sales space that includes new work and works on paper by Lewinale Havette. Her follow interrogates femininity, migration, and identification, formed by her experiences rising up in Liberia and shifting by way of West Africa. With a placing mixture of abstraction and figuration, her work layer washes, drips, and gestural marks to depict highly effective, fluid representations of womanhood. This presentation builds on Havette’s breakout solo exhibition with the gallery in September 2024, providing recent works that radiate each defiance and style.
Pachi Muruchu and Livien Yin at Micki Meng
Art work by Livien Yin, Courtesy Of Micki Meng
Micki Meng’s sales space pairs Pachi Muruchu’s reflections on heritage with Livien Yin’s interaction of historic and modern narratives. Muruchu’s works unravel the complexities of identification, whereas Yin’s items provide a layered examination of time, reminiscence, and notion. Collectively, they create a dialog that’s each intellectually partaking and visually placing—inviting viewers to pause and look once more.
Ana Segovia at Kurimanzutto
Courtesy Of The Artist And Kurimanzutto, Mexico Metropolis / New York Pictures by Gerardo Landa Rojano / Eduardo López (glr Studio)
Mexico Metropolis-based artist Ana Segovia, set to take part on this yr’s Venice Biennale, instructions consideration at Kurimanzutto’s sales space. A placing triptych revisits the Spaghetti Western iconography of Lee Van Cleef’s Angel Eyes from The Good, the Dangerous and the Ugly (1966). Rendered in daring hues—his ear an sudden jolt of pink—Segovia’s cinematic framing, set in opposition to a vivid blue backdrop, evokes each nostalgia and reinvention. The grey frames surrounding every work echo the structural aesthetics of Donald Judd, including one more layer of intrigue.
JO-HS Group Presentation
Art work by Floria Gonzalez, Courtesy Of Jo-Hs Group
JO-HS Gallery gives a dynamic group presentation that includes Rodrigo Echeverría, Floria Gonzalez, Chavis Mármol, and Kitty Rice. The exhibition navigates themes of transformation, private mythology, and the strain between previous and current. Among the many highlights, Chavis Mármol’s ‘Las perlas deberían de ser eternas’ unfolds a gripping story of affection, jealousy, and identification. Depicting twin siblings caught in a fraught dynamic of need and separation, Mármol’s work probes the methods trauma and familial ties form our understanding of freedom and selfhood.
