Even within the warmth of New York’s rat race, have a look round anyplace and also you’ll see a portrait of humanity; you’ll discover thousands and thousands studying to reside side-by-side in a spot the place fractured paths converge and isolation offers method to a brand new style of unity. This premise serves as the main focus of Metal Shards, the newest conceptual set up by Gregory Orekhov. In his mosaic of mirror-polished, chrome steel surfaces atop the waters of Central Park, the Russian sculptor needs us to cease and odor the roses.
Captured inside these floating shards are glimpses of sky, clouds and the tops of skyscrapers, punctuated by lush bursts of inexperienced. As daylight fractures throughout the metal, town’s outlines seem to interrupt aside and are available again collectively, creating an interaction of fragility and energy.
Renderings reveal a sea of fragmented varieties that replicate town’s vibrant power, symbolizing each rupture and restoration. Like town’s inhabitants, who come from all walks of life, these mirrors intersect and work together, although they will by no means return to their authentic state after crossing paths with each other.
Like a lot of Orekhov’s previous work, Metal Shards invitations us right into a dialogue between pure and industrial qualities of a metropolis and the visible and cultural landscapes they nurture. Akin to New York’s resilient spirit, the work finds consolation in the concept even essentially the most damaged issues can as soon as once more start anew.
Whereas the venture has been submitted for consideration, additional growth is underway. “Some tasks take time. And an artist must have endurance, like a drop of water that wears away stone,” the artist expressed. Head to the Orekhov’s web page for extra info and updates on the venture.
