Abstract
- JAH JAH debuted its SS26 assortment at Paris Style Week rooted in Rastafarian and Pan-African identification
- The model unveiled its adidas Originals Megaride S2 collaboration in an Ethiopian-inspired gradient colorway
- The gathering blends West African tailoring, Jamaican crochet and daring textures into culturally wealthy, expressive silhouettes
JAH JAH lately unveiled its Spring/Summer season 2026 assortment at Paris Style Week. Initially based as an Afro-vegan eating and cultural house in Paris, the model continues to increase its imaginative and prescient — grounded in Rastafarian and Pan-African ideologies — into trend. Their designs function a strong visible instrument of reminiscence and cultural storytelling.
A standout second from the runway was the reveal of JAH JAH’s upcoming collaboration with adidas Originals: the Megaride S2 sneaker, slated for launch in Spring 2026. The shoe incorporates a yellow, inexperienced and purple gradient base —honoring the Ethiopian flag — overlaid with a black grid-like sample. Designed as each assertion and staple, the sneaker provides a completion to any look.
Titled “A Silent March,” the gathering is introduced by self-taught designer Daquisiline Gomis, who describes the items as a part of an “insurrectional aesthetic” — the place silhouettes turn into manifestos and clothes act as flags. Drawing inspiration from the tailor-made fits worn throughout West Africa, the gathering reimagines them as “dignified armor,” with robust, structured tailoring that celebrates the physique’s kind. Different appears to be like incorporate flowing silhouettes, patterned textiles and wealthy textures that supply visible and tactile depth.
Honoring Rastafarian prophets and cultural leaders, the gathering visually interprets diasporic narratives. Jamaican crochet patterns are remodeled into structured, tailor-made craftsmanship — subtly embedded into clothes as accents that elevate the aesthetic. Daring patchwork and vibrant coloration palettes mix refined and rugged textures, rooted within the designer’s Jamaican heritage. Placing greens, yellows and reds function homage to house, fusing cultural legacy with inventive execution.
