Alessi 2025 Reimagines the Architecture of Everyday Objects


On the subject of turning the unusual into the extraordinary, Alessi has lengthy led the best way. With its 2025 assortment, the Italian design model continues its legacy of reworking on a regular basis objects into design icons poised for a spot in design historical past. The brand new items characteristic daring silhouettes, recent colorways, and expansions of current traces – all practical objects that would simply as simply stay on a gallery pedestal as they might on a kitchen counter.

Beginning your morning tea or espresso has by no means been simpler – or chicer – because of the brand new Plissé Electrical Kettle. An growth of the Plissé sequence by Michele De Lucchi, the brand new kettle affords exact temperature management and now is available in a mushy, subdued blue, along with the unique white, black, and inexperienced. The identical new hue can be obtainable for the Plissé Toaster, creating an identical set that brings refined magnificence to any countertop.

A blue coffee carafe sits on a wooden table surrounded by notebooks, a white cup, and other desk items

A set of four modern, ribbed kitchen appliances on a grey surface, including a toaster, two kettles, and a coffee pot, in shades of white and dark blue

A black electric kettle with a digital display shows 95°C. Nearby, a white mug sits on a cloth. A metal bowl is on the right, all set on a wooden surface

A metallic tray from the Alessi 2025 Collection features two spherical flowers, a stainless steel spoon, a metallic bowl, and a glass of water, all elegantly arranged on a reflective surface.

It’s arduous to imagine that Enzo Mari designed the Arran Tray in 1961 (reissued in 1997), and Giulio Confalonieri envisioned the Maya Basket again 1977, as they really feel as if they had been designed in the present day. With their geometric kinds and knife-sharp traces, these utilitarian objects have lengthy felt worthy of museum show. Now, they get a recent new look in iridescent inexperienced and purple finishes, alongside the unique polished stainless-steel. Relying on the sunshine and surrounding reflections, the end shifts in tone – turning static items into dynamic, expressive artworks.

A minimalist table setting with a glass of water, a carafe, two spoons, a bowl, and a rectangular tray with two decorative flowers on stems

Abstract image of three rectangular glass panels with green, purple, and silver hues on a dark background

Two dark, iridescent bowls from the Alessi 2025 Collection sit on a brown tablecloth with a clear glass nearby, set against a neutral background.

bowls with iridescent reflections, displaying concentric ridged patterns against a dark background

Two eggs in metallic holders on a dark tablecloth, one on a reflective tray beside a spoon, and the other in a bowl

Two wooden, tapered grinders on a stack of varied wooden pieces against a dark background

Exuding heat and nodding to historical structure, the Yucatan and Oaxaca salt and pepper grinders, additionally by Michele De Lucchi, have fun artisanal craftsmanship and artistic freedom. “I diminished my challenge to the necessities of a column with a rotating head after which most popular to have enjoyable on the lathe,” De Lucchi shares. “Small patterns fashioned that made me consider Aztec poles. That is how Yucatan and Oaxaca had been born – two small picket totems that discover their place within the kitchen.”

A dining table set with white plates, bowls, cutlery, two glasses of water, and a tall, textured ceramic beside dried flowers in a vase. Natural light streams through a window

Wooden pepper grinder on a set dining table with plates, cutlery, glasses, and a textured table runner

Plate of dumplings, black chopsticks, a cup of soy sauce, and a glass of water on a textured tablecloth

The Anna Stick and Alessandro Stick (launching quickly) revive a whimsical design from the archives of Alessandro Mendini, including appeal and character to a set of chopsticks and a coordinating stand. The chopsticks are topped with the faces of two of Mendini’s iconic characters, whereas the fish-shaped stand is a nod to his “Mendinigraph.” As Mendini as soon as described it, the intention was to “create households of objects which might be poetic and sympathetic, refined and allegorical, but in addition easy, strong and user-friendly.”

Tabletop with empty plates, two decorative chopsticks, a knife, a glass of water, a metal bowl, and a paper slip with

A stainless steel coffee maker and cup from the Alessi 2025 Collection sit elegantly on a reflective tray atop a pile of books, next to a woven-back chair, all set against an understated gray background.

And eventually, an object that wants no introduction: the La Cupola espresso espresso maker by Aldo Rossi now will get an replace for contemporary use – it’s suitable with induction hobs. The deal with and knob can be found in black or the unique’s iconic blue. La Cupola has at all times stood out for its architectural kind, instantly impressed by Rossi’s personal interpretation: “For me, the espresso maker is a kind of building: it’s a dome supported by a cylinder with sure mouldings, roughly practical and ornamental – however it’s a exact structure.”

Two sleek, reflective metal coffee makers with dome lids, positioned upright on a glossy surface against a dark background, one slightly behind the other

A stainless steel stovetop coffee maker with a blue handle and knob is centered against a dark gradient background, reflecting light on the glossy surface below

To study extra about Alessi’s 2025 assortment, go to alessi.com.

Pictures by Beppe Radogna.

Because the Senior Contributing Editor, Vy Yang is obsessive about discovering methods to stay nicely + with intention by design. She’s most likely sharing what she finds over on Instagram tales. You can even discover her at vytranyang.com.