Musicians might take heart stage with chart-topping hits, however the visible artists shaping their album covers, tour posters and music movies usually stay within the shadows. The Middle for Modern Artwork & Tradition on the Pacific Northwest Faculty of Artwork in Portland, Oregon, is shining a light-weight on these unsung creatives with Eyes and Ears: A Survey of Visuals in Music 2020-2024.
Curated by Bijan Berahimi, founding father of the multidisciplinary studio FISK, the present presents an intensive assortment of music ephemera—vinyl packaging, tour posters, merchandise, and a rotating collection of music movies co-curated by Noah Porter. Fairly than a static show, the exhibition evolves over time, with Berahimi regularly refreshing the choice to showcase a broad spectrum of music genres and visible aesthetics from the previous 4 years.
The featured works span disciplines—graphic design, images, inventive path, and movie—highlighting the contributions of artists corresponding to Bethany Vargas, Bráulio Amado, Clare Gillen, FISK, Imogene Strauss, Loris Russier, Noah Porter, PlayLab, Inc., rubberband and Zhamak Fullad, amongst others. Standout items embody the hyper-feminine, Barbie-inspired visuals for Charli XCX’s brat summer season and the gritty, biker-culture aesthetic of Don Toliver’s Hardstone Psycho.
“The visible work produced within the music trade during the last 4 years is among the many finest ever,” Berahimi notes. “However in as we speak’s fast-moving media panorama, there’s not often an area to understand these tasks past a fleeting social media put up. This exhibition permits guests to expertise them as they have been meant to be seen—holding vinyl in hand, viewing posters at their meant scale, and immersing themselves within the artistry that defines a musician’s world.”
Eyes and Ears: A Survey of Visuals in Music 2020-2024 runs by means of April 3, 2025. Go to PNCA’s web site for extra particulars.
PNCA Campus
511 NW Broadway
Portland OR 97209
