Abstract
- Design studio p(erson)al’s d-gc 1 chair reimagines the gooseneck element as a sculptural, responsive design factor
- Because the debut piece for the “de-goose” porject, the chair adapts to posture, providing performance by way of refined stress suggestions
Woojin Park, founding father of Seoul-based design studio p(erson)al, introduces the d-gc 1 chair because the debut piece from his experimental “de-goose” challenge. Recognized for reinterpreting industrial supplies by way of a private lens, Park makes use of the gooseneck – a versatile structural element usually present in lighting and equipment – because the central design factor. By elevating this utilitarian half right into a sculptural and practical kind, the chair challenges standard notions of furnishings building and invitations a dialogue between objectivity and subjectivity.
The d-gc 1 chair’s dynamic construction permits the chair to reply to the person’s posture, functioning concurrently as a backrest and armrest. Because the sitter leans into the chair, refined shifts in stress and suggestions create an interactive expertise, making the person’s presence an integral a part of the design’s expression. The result’s a chunk that feels each intuitive and performative — an object that adapts quite than dictates.
Park’s use of the “spirit degree” as a symbolic reference additional underscores the conceptual depth of the challenge. Simply because the instrument measures bodily steadiness, the d-gc 1 chair embodies a negotiation between requirements and interpretation, industrial perform and private which means. By “de-goose”, Park continues to discover how ignored parts may be reimagined into considerate, emotionally resonant design, remodeling the mundane into the poetic.
