Brooklyn-based designer Walmen Dumaliang, founding father of Walmen, is not any stranger to problem-solving by means of design. His expertise spans a variety, from mass manufacturing and UX/UI to industrial design for manufacturers like Bose, UPPAbaby, Wooj, Craighill, and Nike, however one factor stays fixed – his fascination with materials exploration and innovation. By way of these experiences, he has developed a deep curiosity in regards to the potentialities of 3D printing, drawn to the precision, flexibility, and expressive potential it affords. By embracing the uncooked, layered textures inherent in additive manufacturing, Dumaliang is difficult the way in which on a regular basis objects – lighting, timepieces, and decor – are designed, produced, and skilled.
In contrast to conventional manufacturing strategies, 3D printing permits Dumaliang to combine a extra fluid and iterative method to his work, creating designs that really feel each intentional and natural. His course of begins with sketches, evolving into digital fashions the place he refines geometry, gentle diffusion, and texture. Relatively than sanding away the layer traces usually seen in 3D printing, he embraces them – treating them not as imperfections however as a defining function of his work and an inherent side of the fabric. Every prototype is an exploration, with Dumaliang adjusting types to reinforce each aesthetics and performance. This considerate method is very evident in his lighting designs, the place the interaction of fabric, gentle, and shadow turns into an integral a part of the expertise.
His newest items – Maya Lamp, Carve Wall Sconce, and Orasan Clock – embody this philosophy, merging kind, perform, and emotion.
The Maya Lamp, Dumaliang’s first ever product, is a examine in steadiness and proportion by means of a layered, natural kind. With its heat, tactile presence, the Maya Lamp, which is available in its customary form in addition to a sharp model, is each trendy and timeless, seamlessly becoming into a wide range of interiors.
The Carve Wall Sconce takes inspiration from architectural gestures, utilizing unfavorable area to create a sculptural lighting expertise. The angled surfaces work together dynamically with gentle, casting comfortable, subtle shadows that shift all through the day.
Lastly, the Orasan Clock, named after the Tagalog phrase for “time,” reimagines the basic timepiece as a contemplative object. The floating fingers and deep-set face create a quiet, meditative presence, turning a purposeful necessity right into a design assertion.
By leaning into the expressive potentialities of 3D printing, Dumaliang is ready to craft objects that may be skilled, not simply used for his or her perform. Every bit carries the imprint of each digital precision and human instinct, a testomony to the evolving dialogue between know-how and craftsmanship in at present’s occasions.
Walmen Dumaliang of Walmen
To study extra about Walmen Dumaliang’s work, go to walmen.com.
